Known for having a speedy attack time, the CLA-76 is ideal for peak compression and tracking tight pop and EDM vocals. While Waves doesn’t explicitly say this on their website, the plugin is meant to emulate a classic 1176 compressor/limiter of the mid-60s. The CLA-76 is the first analog modeled plugin compressor on this list. Waves - CLA-76 (Best Compressor for Pop and EDM Vocals) - $249 Both of these bundles include an entire suite of mastering tools that are well worth the investment. This plugin comes as a module within iZotope’s Ozone 8 Standard bundle ($249), or as its own plugin as part of iZotope’s Ozone 8 Advanced bundle ($499). One of the most exciting features of this compressor is the button that matches effective gain when the plugin is bypassed this allows you to make well-informed mixing and mastering decisions without worrying about loudness bias. Much like FabFilter’s Pro-C 2, iZotope Ozone’s Dynamics plugin puts a great emphasis on the power of digital processing. There’s also a solo and bypass button for each band. It lets you choose from peak detection, envelope detection, and RMS detection mode, which significantly changes how the compressor responds to the input signal.
IZotope’s Multiband Dynamics plugin allows you to apply multiband compression to the center and sides of your stereo image independent of one another. Alternatively, you can apply compression in a way that highlights transients, making the kick even punchier. If you set a band’s center frequency to 160 Hz and apply peak compression to the transient kick, you’ll be able to tuck it into the mix. Perhaps you’re mastering a song, and the entire track sounds good, but every time the kick hits around 160 Hz, it’s too punchy. iZotope - Ozone 8 Dynamics (Best Multiband Compressor) - $249 If you can only afford one compressor, get the FabFilter Pro-C 2. It’s the Frank’s RedHot of compressors and sounds good on just about anything. When I’m looking for a reliable compressor that will undoubtedly perform well, I reach for FabFilter’s Pro-C 2. There’s an Audition button that solos audio triggering the compressor, a Mix setting that scales the gain change from 0% to 200%, smooth lookahead up to 20 ms, up to 4x oversampling, a custom knee, and loudness level meters.
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The Pro-C 2 includes a sidechain EQ section with customizable high-pass and low-pass filters, plus an additional freely adjustable filter. Each algorithm provides a unique style of compression, so the Pro-C 2 is like 8 compressors in one.įabFilter has included all the features you could wish for in a digital plugin compressor. It provides 8 different compression algorithms that include Clean, Classic, Opto, Vocal, Mastering, Bus, Punch, and Pumping.
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If you’re looking to upgrade from your digital audio workstation’s stock compressor, the FabFilter Pro-C 2 is a versatile option.
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